I drive to the school to collect Daughter and immediately feel that I have walked onto the set of ‘Shaun of the Dead’, such is the volume of school age zombies coming out of the disco. Daughter strangely looks more awake than most.
I get back and chill out in bed with L for a while. Some of it spent sleeping because we didn’t get in until gone 3am ourselves. Then I have to get up for an opticians appointment. When L gets up she seems to have developed a limp from all that walking last night in her boots.
In the afternoon, I give the grass; hopefully, its last trim of the year, while Doggo helps/hinders. Then I watch England defeat Estonia while Doggo sleeps.
In the evening, partly in the interests of staying AF pre-event, we do another film and meal at Broadway, which entails plenty of mango juice. My chilli burritos are very good.
We see 'Control', which is a biopic of Ian Curtis, the lead singer of Joy Division. It is made by Anton Corbijn, the man who photographed and worked with the band. So presumably the project was very personal to him. It was also presumably very personal to his widow Deborah, as the film is based on her biography of her husband, 'Touching From a Distance'. The fact that it is all through his wife's eyes is quite thought provoking in itself. Deborah Curtis, who is played by Samantha Morton, is also involved in the production of the film, which Corbijn shot entirely in black and white, which seems very appropriate. Ian Curtis never really sang in colour, the band were all about dark brooding guitars and deep, doom-laden lyrics.
I was only 13 when he died and I didn't discover Joy Division until a few years later via the early New Order stiff. It is also true that the band were never that popular until his death made them so.
The film starts with Curtis still at school and takes us through to his death in 1980 at the age of only 23. Surprisingly he comes across as quite a likeable chap, more so than I ever though he was. He worked in the social security office and did a great job finding work for people with disabilities.
The film shows his struggle with epilepsy for which doctors give him a cocktail of pills to take, from which he suffers from the side effects. The doctors don't come out of it very well but then again he never went back to get his dosage reviewed. They also tell him to have early nights and stay off the booze, which is a tad difficult when you're trying to be a rock star.
The film also details his disastrous personal life. He married his childhood sweetheart way too soon, and then compounded his error by adding a child into the mix, again way too soon. You can't do the whole touring thing where the girls are throwing themselves at you, with a wife and kids back home. Consequently he gets off with a Belgian reporter and he's not strong enough to choose between the two women.
Curtis quickly reaches a point where juggling his home life, love life and life on the road is too much for him. Add into this his illness and the fact that he couldn't cope with the pressures brought on by the band starting to become popular; it all becomes an accident waiting to happen. Unfortunately we all know how's its going to end and it's partly a case of waiting for that to happen. The people around him don't seem to realise how bad his growing sense of despair is. When the band record the song 'Isolation', no one seems to notice that the lyrics are effectively his suicide note.
A matter of days before the bank were due to leave on their first ever tour of the USA, Curtis hanged himself from a rope in his kitchen.
The film is excellent, another great British film that deserves all the praise it will hopefully get. Sam Riley deserves enormous credit for mimicking Curtis. He has his singing style down to a tee, hunched over the mic one moment, dancing badly the next, epileptic fit the next. Also credit to all the other actors who played the band members. Although the portrayal of Peter Hook doesn't do him any favours. They also played all the songs, there's no miming to the originals here. Riley's performances of tracks like 'She's lost control', 'Transmission' and of course 'Isolation' are all excellent.
The choice of music can perhaps be a bit cliché at times. For instance the use of 'Love will tear us apart' when his marriage is falling apart and I suppose it was always going to end with 'Atmosphere' accompanying his death.
There are plenty of other great performances in the film, motor-mouth manager Rob Gretton has some of the best lines and the late Tony Wilson is also played well.
An excellent film and an excellent night, oh and we win the rugby too but a warning, if someone you love starts singing lines such as,
'In the shadowplay, acting out your own death, knowing no more'.
Be worried.
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